The World Is Not Enough

Movie Review #690


Albert R. Broccoli’s Eon Productions Limited presents…

Studio: Danjaq LLC – Metro-Goldwyn-Mayer (MGM) – United Artists
Distributor: Metro-Goldwyn-Mayer Distributing Corporation (MGM)
Country: UK – USA
Spoken Languages: English – Russian

Directed by Michael Apted. Produced by Barbara Broccoli and Michael G. Wilson. Story by Neal Purvis & Robert Wade. Screenplay by Neal Purvis & Robert Wade and Bruce Feirstein. Characters by Ian Fleming (uncredited).

Rated PG-13 by the MPAA – violence, infrequent sexual content. Runs 2 hours, 8 minutes. Premiered in the USA on November 8, 1999; in Singapore on November 12, 1999; in Malaysia on November 16, 1999; in Iceland on November 19, 1999; and in the UK on November 22, 1999. Wide release in the USA on November 19, 1999; and in the UK on November 26, 1999.

Cinemaniac Reviews two stars

I’ve mentioned it now and then, but I’ve never exactly clarified that my reviews do indeed come from my taking notes on movies. Sometimes I’ll end up taking two whole pages of notes, front and back. Others, I’ll finish with six or seven notes in total. It appears that my notes on “The World Is Not Enough” filled the whole front side of legal paper. I suddenly feel like I’ve killed trees, because I could have narrowed all but one or two of my comments on the film down to one word: silly.

In fact, that one word is so prominent throughout this nineteenth episode of the James Bond saga that I’d have to watermark the sheet with a giant, boldly lettered “SILLY.”

But for the sake of not sounding like a total imbecile, I’ll avoid using the word “silly” to excess.

The prologue was a mess. Everything from the gun barrel opener–in which Pierce Brosnan could have posed much better–up to the moment James Bond drops off a hot air balloon to save his head from catching on fire with the rest of the hot air balloon, it’s all just a cluster of unexplained, unexplainable, and completely random bits of action. They seem to flow into each other as if they were one action sequence, but truth be told, if it weren’t for those fancy, über-cool gadgets of Bond’s, his villains would have already a) outsmarted him beyond any possibility of a plot, or b) killed him. Lucky for him, he not only has all the right gadgets, he has them with him at the opportune times. Which means he’s either a lot smarter than he seems to be, or Q (his quartermaster in charge of the high-tech stuff) has him prepared for absolutely anything that might occur.

That’s the first fifteen minutes of the movie. What follows, thankfully, is a lot more enjoyable. The title sequence is a lot of fun, with the mesh of psychedelic imagery and a song (as you might guess, called “The World Is Not Enough”) from the Wisconsin grunge band Garbage. Contrast with the remixed Bond theme, which actually is garbage.

Nothing is really as much fun as the title sequences after this. The plot is highly unusual for a Bond movie, so it puzzles as much as it excites. Why would MI6 assigning Bond this mission to keep Elektra King (Sophie Marceau) safe, when clearly, Bond would’ve taken this up as a personal vendetta anyway? Am I wrong to say that basically, they’re promoting a personal vendetta, all of a sudden? Why is M (Judi Dench) only concerned that Bond will end up sharing a bed with Elektra? How does nobody at MI6 have the slightest clue that Elektra’s dangerous? Why is M behind bars?

The movie seems to rush its action sequences in without even thinking. Moments of this movie are exciting, especially when Sophie Marceau and Denise Richards take the stage, but many action scenes can really hurt the film. Things blow up when Bond goes skiing with Elektra. I mean, they come from the sky, pummel to the ground, and blow up if they don’t land safely, if that makes more sense. Still, skiing? I mean, I don’t have a problem with skiing, but come on, we need an explanation, especially when things just suddenly start exploding. This was the first collaborative “Bond” screenplay from Neal Purvis and Robert Wade. They’re still working on writing the hero’s adventures, as of “Skyfall”. I’d have to guess that there’s one reason they weren’t immediately fired after writing a completely goofy debacle like “The World Is Not Enough”: the innuendoes. Conversation is solid here, but innuendoes are really the icing on the cake. If you’ve been wondering why this doesn’t garner any lower a grade, there you have it.

Tomorrow’s Review

The Hangover


Hit the jump for an announcement regarding the 2nd Annual Cinemaniac Awards:

The Great Gatsby has won 2014’s Cinemaniac Award for Best Looks of the Year, an award that combined costume design, hairstyling, editing, visual effects, and makeup. Forget the movie’s pushiness for a 3-D craving audience. It’s beautiful. Every actor and actress on Baz Luhrmann’s cinematic set looks as if they’ve come right out of the 1920’s for an adaptation of F. Scott Fitzgerald’s classic “love story”-ish that couldn’t have been produced more exquisitely. Stay tuned for tomorrow’s announcement for Best Screenplay.


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