Movie Review #706
Distributor: Unitel – Reel Media International
Spoken Languages: English
Directed by Brooke L. Peters. Produced by Brooke L. Peters. Original story: Jane Mann. Screenplay: Jane Mann & Don Devlin.
No MPAA rating information. Runs 1 hour, 15 minutes. Limited release in Los Angeles, California on June 14, 1961.
Starring Ronnie Burns, Pamela Lincoln, Darrell Howe, Judy Howard, Michael Grainger, Frank Killmond, Russell Bender, Don Devlin, and William Salzwedel. Also starring Robert Stabler and John B. Lee. Featuring an uncredited cameo appearance by Pat McMahon as Arthur.
This one really is…bad. The dialogue, for starters, is terrible. Just awful. If anybody talks this way to each other, in real life, there’s probably some sort of Martian Mafia starin’ down from way up high, laughin’ their asses off. (That’s me thinking along the Ed Wood wavelength.) Cinematography? What a load of bollocks. Back to the written aspect of it, though. It’s so poorly acted. Wait that’s not a written aspect. Oops. Anyway…
“Anatomy of a Psycho” delivers a halfway interesting plot that manages to go itself in all different crazy directions. Really bizarre directions, and I’ll have you know that there’s quite a confusing shift toward romance less than halfway through. Let me reiterate: this is called “Anatomy of a Psycho”, not Anatomy of Marlon Brando. Not so sure why there’s a love story in a movie that constantly wants to express that at the most random times, this guy can go nuts.
And really, “Anatomy of a Psycho” (with emphasis on “anatomy”)? You just don’t knock of the title of a Jimmy Stewart classic like that. Especially when there’s nothing to do with “anatomy” in this movie. Except for whenever the main guy gets bloodied up. We get to see a minor piece of anatomy from a long shot of his body, through which his open veins are muddily visible, but that’s about it.
Maybe the one good thing in this classified Z-movie is that the protagonist could twin Anthony Perkins. It’s almost a corny joke. (‘Cause this is “Anatomy of a Psycho”, and Perkins was in “Psycho” a year earlier–get it?) This movie is pretty much one of those “so bad, it’s good” movies, except it’s just too bad. It has been reported that on top of the usage of the music from “Plan 9 from Outer Space”, Ed Wood contributed to the screenplay using the pseudonym “Larry Lee.” As far as I’m concerned, he did the whole shebang, and to say that Wood was writing whatever words just happened to pop into his mind, as random as they might be, is a deplorable understatement for the development of this script. I enjoyed the movie for the obviously self-unaware execution, but if this deceptively long strand of 75 minutes doesn’t offer the most infernal pacing I’ve ever sat through, I’m not sure what is.
ANATOMY OF A PSYCHO IS AVAILABLE IN THE PUBLIC DOMAIN.