Hello all! Today, I introduce a new feature entitled Short Film Smorgasbord. Each time one of these posts goes up, it’s three short film reviews for three short films.
The entire smorgasbord will count as one (1) review, and this time, they also happen to be (especially important) silents.
Oh and I’ll have a witty title for each smorgasbord (thanks a bunch to Committed to Celluloid for that inspiration).
Sherlock Holmes, Baffled that the Kelly Gang Made It into the Sealed Room
Movie Review #712
“Sherlock Holmes, Baffled”
American Mutoscope & Biograph. Distributor: American Mutoscope & Biograph. Country: USA. Directed by Arthur Marvin. Character by Arthur Conan Doyle. Runs 1 minute. Wide release in the USA in May 1900. Starring Anonymous as Sherlock Holmes.
“Sherlock Holmes Baffled” is a simple but clever little short. The premise: Sherlock walks into a room to find a burglar. There seems to be a fantasy element to this movie—a humorous surprise that I dare not spoil—and as far as special effects, this 1900 motion picture is waaay ahead of its time. An effort that cracked a smile on my face, a reaction many modern comedies can only wish for. For the first movie to actually feature Holmes, this is quite a nice effort.
“The Sealed Room”
Biograph Company. Distributor: Biograph Company – Reel Media International – American Mutoscope & Biograph. Country: USA. Languages: English intertitles. Directed by D.W. Griffith. Writer: Frank E. Woods. Based on the novel “The Cask of Amontillado” by Edgar Allan Poe and the story “La Grande Breteche” by Honoré de Balzac. Runs 11 minutes. Wide release in the USA on September 2, 1909. Starring Arthur V. Johnson as the Count, Marion Leonard as the Countess, and Henry B. Walthall as the Minstrel. Also starring Linda Arvidson, William J. Butler, Verner Clarges, Owen Moore, George Nichols, Anthony O’Sullivan, Mary Pickford, Gertrude, Mack Sennett, and George Siegmann.
It’s interesting to think that while epics of the last half-century emphasize hope in their respective stories, the epic film actually began with overwhelming tragedy. At eleven minutes, “The Sealed Room” isn’t long enough to stand as a part of this genre, but elongate it and it most certainly is. This isn’t as good as D.W. Griffith can get, but it feels like a considerable (and adequately gripping) precursor to his two best-known epics: “The Birth of a Nation” (1915) and “Intolerance” (1916).
“The Story of the Kelly Gang”
J. & N. Tait. Johnson and Gibson. Country: Australia. Directed by Charles Tait. Produced by W.A. Gibson, Millard Johnson, John Tait, and Nevin Tait. Writer: Charles Tait. Runs 70 minutes (remaining footage runs 21 minutes). Wide release in Australia on December 26, 1906. Starring Elizabeth Tait and John Tait. Also starring Frank Mills, Norman Campbell, Will Coyne, Sam Crewes, Jack Ennis, John Forde, Mr. Marshall, Mr. McKenzie, Bella Cola, Vera Linden, and Ollie Wilson. With uncredited cameo appearances from E.J. Tait and Frank Tait.
Fun fact: 70% of all silent footage that was ever produced, has been lost. Technically, “The Story of the Kelly Gang” was the first feature film. Reports vacillate between time lengths of 60 and 70 minutes; the established minimum for a feature film is 40 minutes. 21 minutes of the movie remain, and not a bit of story can be discerned from it. It’s just violence, violence, and more violence. None of it’s graphic, morbid, or off-putting in anyway other than that it’s pointless. If I had to guess, I’d say this is a “Bonnie and Clyde” precursor, but what good does guessing do? What good is it when the movie forces you to guess? Perhaps there was an actual plot when this film (which ironically has “Story” in its title) was issued at feature length. But if I were to watch any random 21 minutes of a decent movie, I’m sure I would be able to make out at least half the plot.
The English Patient
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