The Bodyguard

Movie Review #725


Directed by Mick Jackson. Written by Lawrence Kasdan. Produced by Kevin Costner, Lawrence Kasdan, and Jim Wilson for Kasdan Pictures, Tig Productions, and Warner Bros. Starring Kevin Costner and Whitney Houston. Cameo: Debbie Reynolds. Distributed by Warner Bros. in wide release on November 25, 1992. Rated R: language. Runs 129 minutes.

Cinemaniac Reviews two and a half stars

“I Will Always Love You” is at the heart of this movie. It’s first performed by John Doe (the stage name of John Duchac), while Kevin Costner and Whitney Houston are seen discussing it. Whitney’s character refers to it as a “cowboy song” and points out the melancholia in the lyrics. Something written for her character to be an interesting analysis, but I can’t quite call it an agreeable one. As you might guess, the song is also performed at the very close of the film, by Whitney herself. And that finale feels so unforgettably powerful, but only for one reason. It’s not really the scene itself that has any power. It’s just that song. Whitney’s earth-shattering voice makes a better movie out of “The Bodyguard”, and while it’s all a pretty likable flick, it’s hard not to feel that a song sung with such passion and conviction, not to mention a cover version that vastly exceeds the original artist’s recording, deserved a more poignant movie.

“The Bodyguard” had so much room for potential, but in all, it really isn’t a bad movie. It’s utter trash, which is why it’s so much fun to watch. And again, it’s nothing special at all without Whitney’s music. A good rule of thumb is, if you don’t really like the soundtrack (because there isn’t a human being that creepeth upon the land who hath not heard it yet), then don’t watch the movie. Your enjoyment of R&B music is pretty much what weighs the film as trash or treasure. The story plays out like a two-hour special edition episode of a television crime procedural. We learn that the victim is Rachel Marron (Whitney) and her bodyguard is Frank Farmer (Kevin Costner). Marron famous, to put it in simplest terms. Farmer is apparently great at the job, since he worked as a Secret Service agent for a number of years, though he made his sudden retirement and went to live in the mountains after Reagan was shot. Farmer wasn’t there, he was just afraid his reputation would be ruined. Anyway, Marron isn’t told as immediately as she wishes, but she’s being stalked by one of her fans. So “The Bodyguard” is mostly about that. It’s also about Marron’s inability to to adequately respect the bodyguard without having sex with him. It makes for a really entertaining but eventually really cheesy story, especially when you know from the moment they look at each other that they’re going to fall in love.

The execution of the premise is with limited fuel. By the subplot, when Frank and Rachel travel to the mountains, I began to lose interest in the film. Fortunately it picks up by the end, but this is pretty surprising considering how much fun I was having at any moment prior. The character development is rather amusing. Frank does so much to protect Rachel, and yet he’s so assertive and defensive of himself, insisting he only do what’s in his job description. Just help the poor woman out, will ya? Or don’t, and deliver a completely hilarious line like, “I’m here to keep you alive, not help you shop.” The script fails even when trying to deliver the “movie within a movie” technique. Of all movies, Whitney and Costner go and see “Seven Samurai” on their first date. Yes, the 1950’s, black-and-white, Japanese samurai epic that exceeds three hours. I mean, I liked the movie, and apparently so did Whitney’s character, but to think that that was Costner’s character’s sixty-second time seeing the movie!? No offense to Akira Kurosawa, but I’d be sick of the film before I’d seen it seven times!

Kevin Costner might be the only one who suffers from the screenplay. His performance is just so good! Then again, the way he takes his role so seriously makes every “whoops” in Lawrence Kasdan’s (“The Empire Strikes Back”, “Return of the Jedi”, “Raiders of the Lost Ark”) script stand out even more. Whitney’s character just downright confuses me, and it has nothing to do with her delivery, aside from the fact that she just isn’t convincing in the role of an Oscar winner. But where the logic is most lacking in her character is that I can’t imagine any celebrity has such vast amounts of time on his or her hands, especially if they’re singing on tour. “The Bodyguard” is one of the paramount definitions of the word “cheesy.” Think of the Tejano pop star Selena having James Bond protecting her every second of the day. That’s a pretty accurate image of what you’d find in this flick.

Tomorrow’s Review

Need for Speed



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